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	<title>Atlanta Theatre Archives - 7 Stages Theatre</title>
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		<title>An Open Letter from the Metro Atlanta Arts Community in the Wake of the Lyric’s Closing</title>
		<link>https://www.7stages.org/open-letter-lyrics-closing/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=open-letter-lyrics-closing</link>
		
		<dc:creator><![CDATA[Mack Headrick]]></dc:creator>
		<pubDate>Wed, 15 Mar 2023 21:29:37 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[COVID]]></category>
		<category><![CDATA[Lyric Theatre]]></category>
		<guid isPermaLink="false">https://www.7stages.org/?p=13965</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/open-letter-lyrics-closing/">An Open Letter from the Metro Atlanta Arts Community in the Wake of the Lyric’s Closing</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p>On Tuesday, March 7th, we were devastated to hear that the Atlanta Lyric Theatre has shut down after 42 seasons. Not only is its closing a loss for our vibrant industry, it is also an indicator that if left unchecked, the crisis in the theatre and arts sectors caused by the COVID-19 shutdowns will continue to ravage our community.</p>
<p>Atlanta is a great theatre city, unique from any other in the nation. Its theatrical ecosystem encompasses small entrepreneurial companies led by exciting young artists, a vibrant community of midsized theatres who specialize in creating programming that reflects the community in and around Atlanta, and large theatres nationally recognized as hot spots for producing new plays and Broadway tryouts. Through it all runs an entrepreneurial spirit, a commitment to new work, and the will to broaden audiences and expand what it means to be an artist, a southerner or even a person.</p>
<p>Our local theatre is a remarkable opportunity to hone the craft of artists. Steve Yockey, Danielle Deadwyler, Jennifer Garner, Donald Glover, Amy Adams, Julia Roberts, RuPaul, and Kenny Leon, among many more, started their careers on and around Metro Atlanta stages. It is this commitment to finding and supporting local southern talent that makes the theatre industry so vibrant and allows us to provide the strong foundation that the TV and film industry have built upon so spectacularly. Marvel Studios, Tyler Perry Studios, and Netflix have all found a home here in and around Atlanta, in large part due to generous funding via tax breaks that they receive from the Georgia government but also because of the talent the local theatre cultivates year after year.</p>
<p>Our theatre community&#8217;s vibrancy is mirrored across the city&#8217;s non profit arts sector. Anywhere you look in Metro Atlanta you will find dancers, singers, musicians and visual artists creating and defining a new cultural vocabulary that is unique to our metro. Beyond the creativity and joy this industry brings to our city it is also an economic and job creating power house. The Atlanta Regional Commission in 2017 estimated that the non profit arts sector on its own was a $719.8 million dollar industry that supported more than <a href="https://atlantaregional.org/news/community-development/arts-culture-plays-big-role-local-economy/">23,000 full time jobs</a> across the city, more than Home Depot, Piedmont Health Care or Publix, and that the Atlanta arts community contributes more than $65 million to local and state government revenue through taxes every year. The economic impact of patrons who attend arts programming is even greater. Each patron spends between $23 and $48 every time they attend an event, almost all of which is spent at local businesses. In 2015 the Arts and Economic prosperity report estimated that the combined impact of the non profit arts sector and the patrons who attended events was more than <a href="https://www.americansforthearts.org/sites/default/files/pdf/2017/by_program/reports_and_data/aep5/map/GA_CityOfAtlanta_AEP5_OnePageSummary.pdf">$600 million dollars</a> in Metro Atlanta. This remarkable impact is in addition to the immeasurable cultural enrichment that theaters and arts venues provide to their communities, especially to students whose schools rely on theaters and cultural institutions across Atlanta to curate artistic programming that inspires children to dream, explore and reach for something new through art.</p>
<p><strong>Arts and theatre companies across the country are at an inflection point. Now is the time to act to ensure theatre and the arts stay at the center of Metro Atlanta communities.</strong></p>
<p>COVID-19 was the biggest disruption to the American Arts sector in history, and the most destructive since the Great Depression. And it is still threatening our industry. From the increased costs we have all seen since returning to work, audience members’ ongoing health concerns, and rolling shutdowns as company members test positive for COVID-19, the industry is still in turmoil. Because of this turmoil, nationwide only about half of pre-pandemic audiences have returned – severely limiting earned revenue as the industry rebuilds its audience base.</p>
<p>Coupling lower than average attendance with the fact that arts funding is the smallest fraction of philanthropic giving means that there are simply not enough resources available for the short term health and long term viability of the Metro Atlanta cultural arts community. Unfortunately, the challenge has been exacerbated post pandemic as community funders and foundation leaders who previously funded the arts have significantly delayed releasing funds, have not focused on the arts during the pandemic and recovery or have ended their arts support altogether. Midsize and small companies are even more challenged by the current funding landscape because they are less able to navigate disruption in funding.</p>
<p>We propose a five-pronged approach to fundamentally change how arts and culture are supported in the city and move the industry forward not based on scarcity but instead on a model designed to let the arts thrive as a core value of our city and state.</p>
<p><strong>First, we will ask major philanthropic foundations and area philanthropists to make a transformational, one-time gift to every arts organization in Metro Atlanta.</strong> In cities across the United States individual philanthropists and foundations have realized that now is the time to act to stabilize local communities of arts organizations. We need that leadership in Atlanta.</p>
<p><strong>Second, we will propose doubling the grant making capacity of the city, county, and state arts offices across the metro while simultaneously cutting red tape so that awarded funds can be accessed quickly.</strong> According to ArtsATL, Georgia still ranks near the bottom of arts funding, ranking 49th out of all states. By adding less than 10 million dollars combined across all state, county and city budgets to the grant funding arm of arts agencies local organizations would have more consistent funding available, more organizations could receive funding and funding levels could be increased. This deeper investment is a win-win, funding provided to local arts companies comes back to the granting government agencies by a factor of at least 3 to 1.</p>
<p><strong>Third, we will ask the Community Foundation of Greater Atlanta to hire an arts program director quickly and give that person adequate staff and resources to develop new artistic resources from national funders, not just shepard existing funds.</strong> For too long the arts have been relegated to an underfunded and understaffed department at the Community Foundation for Greater Atlanta and at foundations across the city. To change the system we need a metro wide advocate who is active in the national philanthropic community while also being committed to a thriving local arts scene.</p>
<p><strong>Fourth, we will ask that the production tax credit enjoyed by the film and television industry be extended to non profit arts organizations headquartered and producing live performing arts productions in Georgia.</strong> Without us providing the training and year round opportunities, the film industry would not have the access to talent they so rightfully enjoy. By extending the tax credit to work produced on the stages across the state we will create a more holistic ecosystem.</p>
<p><strong>Fifth, we will call upon production and media companies based in Georgia to join us as we advocate for increased arts funding while simultaneously creating deeper working relationships between for-profit and nonprofit arts organizations.</strong> Strengthening the symbiotic relationship between the film and media industry and local artists will ensure that both thrive.</p>
<p><em>How can you help as a patron:</em></p>
<p><strong>If you have not attended since the shut down</strong>, come back, we need you. Ticket sales are vital to our health but so is word of mouth marketing and engaged audiences. If you can&#8217;t afford a ticket please ask about discounts and special codes. Nearly every company in town has special performances and admissions that are discounted to ensure anyone who wants to can get in. We are all trying to keep our ticket prices low to remain accessible to the greatest number of people possible, even in the face of inflation and rising costs.</p>
<p><strong>If you’re someone who can afford a little more</strong>, consider adding a donation each time you purchase tickets so that we can continue paying artists fairly. Consider joining the thousands of people who have donated time and money to the arts throughout the shutdown and recovery. Without the remarkable support of donors large and small the arts would not have survived, we thank you for all that you have done for the industry.</p>
<p><strong>If you have been coming</strong>, tell your friends and family about the work you see on stage. Advocate for the arts at your company, post to your social media accounts and bring up the last show you saw when you are out with friends. The best marketing we have is word of mouth — and we need you to get the word out.</p>
<p><strong>Discover new theatres. Explore a new genre.</strong> With more than 30 theaters and hundreds of arts companies in the city there are likely at least a dozen you have not attended, or a genre you have not seen recently. From puppets to improv and from Shakespeare to world premiere new works, you can find anything on stage in Atlanta. Not to mention choral music, modern dance, indie movies and lectures by famous artists.</p>
<p><em>What we promise:</em></p>
<p>With your support we will continue to produce work fueled by our community. Queer youth, a woman struggling with mental health, black entrepreneurs, and young women seeking a closer relationship with God were all portrayed onstage last weekend across Atlanta stages and we pledge to continue to represent this city and all the facets that make it great.</p>
<p>We commit to amplifying exciting new voices and showcasing remarkable, diverse talent that reflects our region. The Metro Atlanta arts community’s ability to nurture rising talent on local stages before launching it onto the national stage means that our next generation of tastemakers will have deep ties to Georgia.</p>
<p>And we promise to continue bringing our community together. To entertain, to explore and to sit a while in another world, in another person&#8217;s truth, and maybe become just a little closer.</p>
<p>Your help is critical to our future, but together we can only go so far. We need community funders, philanthropic leaders, and political leaders to join us. With their support, we can chart a new path forward for the arts in Atlanta by seizing the opportunity presented during this challenging time and to rewrite the way arts and culture are funded and supported. If we can accomplish even a fraction of what we propose here, we can write a new future for the arts in Atlanta and Georgia, solidifying our status as a center for arts and culture in America.</p>
<p><strong>If you are interested in signing on to support this work</strong>, email <a href="mailto:marysa@actorsexpress.com">marysa@actorsexpress.com</a>.</p>
<p><strong>If you are a funder</strong> interested in talking about how to make a transformative gift in the sector, please contact <a href="mailto:alex@actorsexpress.com">alex@actorsexpress.com</a>, <a href="mailto:csa@truecolorstheatre.org">csa@truecolorstheatre.org</a>, or mack@7stages.org.</p>
<p><strong>If you are a government leader</strong> or can help advance the ideas around an arts tax credit or in creating local funding for the arts email <a href="mailto:stacey@dadsgarage.com">stacey@dadsgarage.com</a> or <a href="mailto:marysa@actorsexpress.com">marysa@actorsexpress.com</a> or <a href="mailto:lisa@horizontheatre.com">lisa@horizontheatre.com</a>.</p>
<p><strong>If you are a patron</strong> and want to make a donation or attend a performance please visit the website of any of the cosigned companies.</p>
<p>If you have other ideas on how we can advance the arts in Atlanta or the state or Georgia, email <a href="mailto:alex@actorsexpress.com">alex@actorsexpress.com</a>.</p>
<p>Thank you from all of us in the Metro Atlanta Arts Community.</p>

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</div><p>The post <a href="https://www.7stages.org/open-letter-lyrics-closing/">An Open Letter from the Metro Atlanta Arts Community in the Wake of the Lyric’s Closing</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>Trailer released for The Threepenny Opera</title>
		<link>https://www.7stages.org/trailer-released-threepenny-opera/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=trailer-released-threepenny-opera</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Fri, 02 Sep 2016 16:20:29 +0000</pubDate>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[7 Stages]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Threepenny Opera]]></category>
		<guid isPermaLink="false">http://www.7stages.org/?p=7206</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/trailer-released-threepenny-opera/">Trailer released for The Threepenny Opera</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p>THREEPENNY OPERA TRAILER RELEASED! Be the first to see Mack in action with all of his lovely ladies, menacing goons, and those that love to hate him! <a class="_58cn" href="https://www.facebook.com/hashtag/mackisback?source=feed_text&amp;story_id=1269391359747523" data-ft="{&quot;tn&quot;:&quot;*N&quot;,&quot;type&quot;:104}"><span class="_5afx"><span class="_58cl _5afz">#</span><span class="_58cm">MackIsBack</span></span></a> <a class="_58cn" href="https://www.facebook.com/hashtag/see3po?source=feed_text&amp;story_id=1269391359747523" data-ft="{&quot;tn&quot;:&quot;*N&quot;,&quot;type&quot;:104}"><span class="_5afx"><span class="_58cl _5afz">#</span><span class="_58cm">See3PO</span></span></a> On stage 9/9-9/25!</p>

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</div><p>The post <a href="https://www.7stages.org/trailer-released-threepenny-opera/">Trailer released for The Threepenny Opera</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>Meet Matt Baum</title>
		<link>https://www.7stages.org/6606-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6606-2</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Mon, 11 Apr 2016 10:00:07 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[7 Stages]]></category>
		<category><![CDATA[7 Stages Theatre]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Autism]]></category>
		<category><![CDATA[Inside I]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Little Five Points]]></category>
		<guid isPermaLink="false">http://www.7stages.org/?p=6606</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/6606-2/">Meet Matt Baum</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p>Matt Baum is charged with the important, and often challenging, task of playing our main character in <em>Inside I</em>, Ben. Baum uses puppets to portray Ben from birth to his teenage years. Below, he describes the challenges of this type of technology and physical spectacle heavy work on stage, as well as how <em>Inside I</em> created a deeper understanding of the autistic experience.</p>
<p>Q. <em>Inside I</em> uses multimedia techniques to help the audience understand autism. What was your perception of autism before working on this production? And how has this production changed that perception?</p>
<p><strong>A. I didn&#8217;t know much about autism before working on this production. To prepare for the show, I read some great books on the topic and spent some time getting to know some of the people who inspired Ben&#8217;s character. Researchers have uncovered a lot about autism, but there&#8217;s still a lot we don&#8217;t understand. The one thing we do know is that every person with autism is different.</strong></p>
<p>Q. Describe your character and their role in the play?</p>
<p><strong>A. Ben has autism. The show follows Ben as he grows from 18 months to 17 years old. Through the live-feed camera, Ben shares his life and world with the audience.</strong></p>
<p>Q. <em>Inside I</em> is told through video, puppetry, and other visual techniques, what is the biggest challenge as an actor in telling a story this way on stage?</p>
<p><strong>A. As an actor, I rely on my voice and body to express my character&#8217;s thoughts and feelings. It&#8217;s a challenge for me to communicate through puppets, the live-feed, and the other technical elements of the show. I don&#8217;t always feel as comfortable using these modes of expression as I do my own voice and body. Ben, on the other hand, struggles to communicate through words and body language, but finds freedom behind the camera.</strong></p>
<p>Q. What do you hope audiences will walk away talking about after seeing <em>Inside I</em>?</p>
<p><strong>A. I hope audiences will see similarities between Ben and themselves. I hope getting a window into Ben&#8217;s experience will inspire greater compassion and  appreciation for people with autism and the people who love and care for them.</strong></p>

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</div><p>The post <a href="https://www.7stages.org/6606-2/">Meet Matt Baum</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>Read along with the INSIDE I cast</title>
		<link>https://www.7stages.org/read-along-with-the-inside-i-cast/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=read-along-with-the-inside-i-cast</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Fri, 08 Apr 2016 05:00:51 +0000</pubDate>
				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[7 Stages]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Autism]]></category>
		<category><![CDATA[Erwin Maas]]></category>
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		<category><![CDATA[Michael Haverty]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[Theatre]]></category>
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					<description><![CDATA[<p>The post <a href="https://www.7stages.org/read-along-with-the-inside-i-cast/">Read along with the INSIDE I cast</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p><img loading="lazy" decoding="async" class="size-medium wp-image-6595 alignleft" src="http://www.7stages.org/wp-content/uploads/2016/04/IMG_1002-300x300.jpg" alt="IMG_1002" width="300" height="300" srcset="https://www.7stages.org/wp-content/uploads/2016/04/IMG_1002-300x300.jpg 300w, https://www.7stages.org/wp-content/uploads/2016/04/IMG_1002-150x150.jpg 150w, https://www.7stages.org/wp-content/uploads/2016/04/IMG_1002-768x768.jpg 768w, https://www.7stages.org/wp-content/uploads/2016/04/IMG_1002-1024x1024.jpg 1024w" sizes="auto, (max-width: 300px) 100vw, 300px" />We are almost two weeks into the rehearsal process of <em>Inside I </em>(written and directed by Michael Haverty and Erwin Maas), and before rehearsals started the cast and designers began passing around a collection of books to help them all better understand the autistic experience, the research that went into the show, and the science behind understanding an autism diagnosis and the treatments. Below are the books they are reading in case you would like to read along:</p>

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	<ul>
<li><a href="http://idoinautismland.com/"><em>Ido in Autismland</em> by Ido Kedar</a></li>
<li><a href="http://thereasonijump.com/"><em>The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism</em> by Naoki Higashida</a></li>
<li><a href="http://www.amazon.com/Autistic-Brain-Helping-Different-Succeed/dp/0544227735/ref=asap_bc?ie=UTF8"><em>The Autistic Brain: Helping Different Kinds of Minds Succeed</em> by Temple Grandin</a></li>
<li><a href="http://www.amazon.com/Thinking-Pictures-Expanded-Edition-Autism/dp/0307275655/ref=pd_sim_14_16?ie=UTF8&amp;dpID=51J6HZP5GBL&amp;dpSrc=sims&amp;preST=_AC_UL160_SR103%2C160_&amp;refRID=1V6ANJ0R0ZRXZ7ADCSG6"><em>Thinking in Pictures, Expanded Edition: My Life with Autism</em> by Temple Grandin</a></li>
<li><a href="http://www.amazon.com/Autism-Spectrum-Disorder-revised-Understanding/dp/0399166637/ref=pd_sim_14_26?ie=UTF8&amp;dpID=51LCinjbKEL&amp;dpSrc=sims&amp;preST=_AC_UL160_SR107%2C160_&amp;refRID=1V6ANJ0R0ZRXZ7ADCSG6"><em>Autism Spectrum Disorder (revised): The Complete Guide to Understanding Autism </em>by Chantal Sicile-Kira</a></li>
<li><a href="http://www.amazon.com/How-Talk-Lips-Dont-Move/dp/1611450225"><em>How Can I Talk If My Lips Don&#8217;t Move?: Inside My Autistic Mind</em> by Tito Rajarshi Mukhopadhyay</a></li>
<li><a href="http://www.amazon.com/Nobody-Nowhere-Remarkable-Autobiography-Autistic/dp/1853027189"><em>Nobody Nowhere: The Remarkable Autobiography of an Autistic Girl</em> by Donna Williams</a></li>
</ul>

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</div><p>The post <a href="https://www.7stages.org/read-along-with-the-inside-i-cast/">Read along with the INSIDE I cast</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>F451 Big Read Book Club Poem</title>
		<link>https://www.7stages.org/f451-big-read-book-club-poem/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=f451-big-read-book-club-poem</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Tue, 05 Apr 2016 20:49:49 +0000</pubDate>
				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[7 Stages]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Big Read]]></category>
		<category><![CDATA[Dorothy Bell]]></category>
		<category><![CDATA[Fahrenheit 451]]></category>
		<category><![CDATA[Heidi S. Howard]]></category>
		<category><![CDATA[National Endowment for the Arts]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Ray Bradbury]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Theresa Davis]]></category>
		<guid isPermaLink="false">http://www.7stages.org/?p=6565</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/f451-big-read-book-club-poem/">F451 Big Read Book Club Poem</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p>At our last NEA Big Read Book Club meeting in March at the Decatur Library, we wrote a poem as a collective based on themes and our own responses to Ray Bradbury&#8217;s <em>Fahrenheit 451</em>. So basically, we created our artistic response! See it&#8217;s not that scary! Our task was to describe a chosen theme from Bradbury&#8217;s novel using the five senses and we each had about 5-minutes to write down one line for each sense based on our own chosen theme.</p>
<p>These are the combined responses, and we may be biased, but it turned out to be quite a beautiful poem:</p>
<p><strong>Humanity<br />
</strong><br />
tastes like the sweet nectar of honeysuckle on a warm summer day,<br />
like habanero, jalapenos, chipotle peppers in adobe sauce, and tabasco<br />
overloading your buds, you think you can handle it until it burns<br />
a spoon full of warm smooth custard so silky and sweet<br />
on the tongue you want to spend time savoring<br />
before you share it with your lover,<br />
like the crunch of bland non good labeled “yummy”,<br />
like the unfamiliar and who is that wearing my clothes,<br />
like the first slurpy bite of a ripe peach and a library fine</p>
<p>sounds like children’s laughter interrupting a political debate,<br />
like heavy butterfly wings fluttering melody and harmony<br />
like echoed dreams remembered then forgotten,<br />
like hearing a newborn that you instantly fall in love with,<br />
teeth grinding like apprehension and this is none of your business,<br />
the sniffing of mechanical death the wispy branches of a willow tree</p>
<p>feels like warm hands on cold skin drawing you close to comfort<br />
like a friend when in control and an enemy when mad, like the warmth of fire smells,<br />
like a portal to another dimension, an internal pull in your gut by a freshly fed hook,<br />
like judgement, like a too tight bra or misplaced love,<br />
like expectations not exchanged,</p>
<p>looks like the reflection of a dandelion, like light yellow, orange and red,<br />
like the perfect kind of wallpaper,<br />
like happiness the bright in her eyes a map with no street names,<br />
like things you want to change but can’t<br />
because flaws are larger than they appear,<br />
like multiple televised images that mean nothing,<br />
like watching kindness between strangers,<br />
a man buying food for the homeless</p>
<p>smells like the sweet fragrance of Clarisse’s hair as she turns to leave,<br />
like metaled understanding or flesh after the fact,<br />
like moving in slow motion while looking over your shoulder<br />
or waking up in a cold sweat after the fear,<br />
like a warm home after a long day,<br />
like the blues on a warm summer night while the moon is full<br />
and the air is damp with humanity</p>

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</div><p>The post <a href="https://www.7stages.org/f451-big-read-book-club-poem/">F451 Big Read Book Club Poem</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>HAPPY WORLD THEATRE DAY!</title>
		<link>https://www.7stages.org/happy-world-theatre-day/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=happy-world-theatre-day</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Sat, 26 Mar 2016 01:00:53 +0000</pubDate>
				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[7 Stages Theatre]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[World Theatre Day]]></category>
		<guid isPermaLink="false">http://www.7stages.org/?p=6505</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/happy-world-theatre-day/">HAPPY WORLD THEATRE DAY!</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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	<p>In honor of <a href="http://www.world-theatre-day.org/theatreday.html">World Theatre Day</a> we wanted to share this year&#8217;s Message of World Theatre Day with you from Russian director, Anatoli Vassiliev. His message spoke to us as a staff, what we believe theatre is and can be, and to our mission as an organization. Let it inspire you to sit in a row of seats and watch living art in front of you. We promise, that art you see, will also ignite something within.</p>
<p><em><strong>World Theater Day Message 2016</strong></em></p>
<p>Do we need theatre?</p>
<p>That is the question thousands of professionals disappointed in theatre and millions of people who are tired of it are asking themselves.</p>
<p>What do we need it for?</p>
<p>In those years when the scene is so insignificant in comparison with the city squares and state lands, where the authentic tragedies of real life are being played.</p>
<p>What is it to us?</p>
<p>Gold-plated galleries and balconies in the theatre halls, velvet armchairs, dirty stage wings, well-polished actors&#8217; voices, &#8211; or vice versa, something that might look apparently different: black boxes, stained with mud and blood, with a bunch of rabid naked bodies inside.</p>
<p>What is it able to tell us?</p>
<p>Everything!</p>
<p>Theatre can tell us everything.</p>
<p>How the gods dwell in heaven, and how prisoners languish in forgotten caves underground, and how passion can elevate us, and how love can ruin, and how no-one needs a good person in this world, and how deception reigns, and how people live in apartments, while children wither in refugee camps, and how they all have to return back to the desert, and how day after day we are forced to part with our beloveds, &#8211; theatre can tell everything.</p>
<p>The theatre has always been and it will remain forever.</p>
<p>And now, in those last fifty or seventy years, it is particularly necessary. Because if you take a look at all the public arts, you can immediately see that only theatre is giving us &#8211; a word from mouth to mouth, a glance from eye to eye, a gesture from hand to hand, and from body to body. It does not need any intermediary to work among human beings &#8211; it constitutes the most transparent side of light, it does not belong to either south, or north, or east, or west &#8211; oh no, it is the essence of light itself, shining from all four corners of the world, immediately recognizable by any person, whether hostile or friendly towards it.</p>
<p>And we need theatre that always remains different, we need theatre of many different kinds.</p>
<p>Still, I think that among all possible forms and shapes of theatre its archaic forms will now prove to be mostly in demand. Theatre of ritual forms should not be artificially opposed to that of “civilized” nations. Secular culture is now being more and more emasculated, so-called &#8220;cultural information&#8221; gradually replaces and pushes out simple entities, as well as our hope of eventually meeting them one day.</p>
<p>But I can see it clearly now: theatre is opening its doors widely. Free admission for all and everybody.</p>
<p>To hell with gadgets and computers &#8211; just go to the theatre, occupy whole rows in the stalls and in the galleries, listen to the word and look at living images! &#8211; it is theatre in front of you, do not neglect it and do not miss a chance to participate in it &#8211; perhaps the most precious chance we share in our vain and hurried lives.</p>
<p>We need every kind of theatre.</p>
<p>There is only one theatre which is surely not needed by anyone &#8211; I mean a theatre of political games, a theatre of a political &#8220;mousetraps&#8221;, a theatre of politicians, a futile theatre of politics. What we certainly do not need is a theatre of daily terror &#8211; whether individual or collective, what we do not need is the theatre of corpses and blood on the streets and squares, in the capitals or in the provinces, a phony theatre of clashes between religions or ethnic groups&#8230;</p>
<p>Translation by Natalia Isaeva</p>

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</div><p>The post <a href="https://www.7stages.org/happy-world-theatre-day/">HAPPY WORLD THEATRE DAY!</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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		<title>Meet THE REVOLUTIONISTS</title>
		<link>https://www.7stages.org/meet-the-revolutionists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=meet-the-revolutionists</link>
		
		<dc:creator><![CDATA[Caroline Baxter]]></dc:creator>
		<pubDate>Thu, 11 Feb 2016 21:55:01 +0000</pubDate>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[7 Stages]]></category>
		<category><![CDATA[Atlanta Playwright]]></category>
		<category><![CDATA[Atlanta Theatre]]></category>
		<category><![CDATA[Lauren Gunderson]]></category>
		<category><![CDATA[Little Five Points]]></category>
		<category><![CDATA[Plays]]></category>
		<category><![CDATA[The Revolutionists]]></category>
		<category><![CDATA[Theatre]]></category>
		<guid isPermaLink="false">http://www.7stages.org/?p=6200</guid>

					<description><![CDATA[<p>The post <a href="https://www.7stages.org/meet-the-revolutionists/">Meet THE REVOLUTIONISTS</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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<h2 style="color: #000000;text-align: center" class="vc_custom_heading vc_do_custom_heading vc_custom_1455228600177" >Cast announced for Lauren Gunderson's new play THE REVOLUTIONISTS!</h2>	<div class=" vc_custom_1434539588856">

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	<p>We couldn&#8217;t be more excited to introduce you to the cast of Lauren Gunderson&#8217;s new play, THE REVOLUTIONISTS, <a href="https://youtu.be/I5NrhMb9JWY" target="_blank">with our trailer for the production</a>! Playing March 3-20, four badass revolutionary women, directed by Heidi S. Howard, fight for equality, freedom, power, and a damn rewrite during the French Revolution all while a fifth character, Madame Guillotine, waits for their heads. Also, it&#8217;s a comedy!</p>
<div><strong>Meet your revolutionaries:</strong><br />
Stacy Melich…………….………………&#8230;…&#8230;..Olympe De Gouges<br />
Parris Sarter…………..….…………………..….Marianne Angelle<br />
Rachel Frawley……….……………&#8230;………….Charlotte Corday<br />
Park Krausen……………&#8230;…….…………..…..Marie Antoinette</div>

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</div><p>The post <a href="https://www.7stages.org/meet-the-revolutionists/">Meet THE REVOLUTIONISTS</a> appeared first on <a href="https://www.7stages.org">7 Stages Theatre</a>.</p>
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